• Directory of contributing poets

    Below is a directory of all the poets whose work has appeared

    in the Catholic Poetry Room at IntegratedCatholicLife.org.

  • Margaret Adams Birth is the author of Borderlands (Finishing Line Press, 2016); her poetry has also appeared in such journals as Riverrun, Ship of Fools, The New Voices (Trinidad and Tobago), Aldebaran, Atlantic Pacific Press, Purple Patch (England), White Wall Review (Canada), Mobius, Black River Review, Perceptions (her poem there a Pushcart Prize nominee), Blue Lake Review, All Roads Will Lead You Home, and The Wild Goose Poetry Review. She is extensively published in short fiction and nonfiction, as well, including under the pen names Maggie Adams and Rhett Shepard. She is a permanently professed member of the Secular Franciscan Order, and recently finished a 7-year period serving her Parish Pastoral Council.

    Ruth Asch is a poet and short-story writer, whose work can be found in many literary journals and sites (such as Ghazal Page, Peacock Journal, Piltdown Review, Jesus the Imagination) and anthologies (Mother’s Milk, The Forgotten and Fantastical Vol.4, Beauty First) and in an early collection of her own poetry: Reflections (St Austin Press 2009). She is also a teacher of English and Latin, and the mother of five, living in Preston, England.

    Tim Bete is Poetry Editor for IntegratedCatholicLife.org and author of the poetry collection, The Raw Stillness of Heaven. His poetry has appeared in Presence: A Journal of Catholic Poetry, The Asketerion, and the Poet and Contemplative Blog of the Discalced Carmelite Friars (Province of St. Therese).

    Benjamin D. Carson lives with his dog Dora on the South Shore of Massachusetts. His creative work has appeared or is forthcoming in Red Fez, The Ampersand Review, Cactus Heart, The Bitchin’ Kitsch, The Boston Small Press and Poetry Scene blog, The Somerville Times, Poetry24, Free Inquiry, Oddball Magazine, Poetry Leaves, The Poetry Porch, I am not a silent poet, Not Your Mother’s Breast Milk, Gyroscope, and The Charles River Journal.

    Johanna Caton, O.S.B., is a Benedictine nun from Minster Abbey in Kent, England. Born in Virginia, she lived in the United States until adulthood, when her monastic vocation took her to England. She writes poetry as a means of understanding the work of God in her life, whose purposes and presence can be elusive until viewed through the more accommodating lens of art and poetry. Her poetry has appeared on Agnellus Mirror, in the ‘Daily Reflections’ blog and The Christian Century.

    Barbara Crooker‘s work has appeared in many journals, including The Christian Century, Christianity & Literature, The Christian Science Monitor, America, Sojourners, Saint Katherine Review, Windhover, Perspectives, The Cresset, Tiferet, Spiritus,Assisi, Dappled Things, Ruminate, Rock & Sling, Radix, and Relief, It’s been anthologized in places like The Bedford Introduction to Literature (Bedford/St. Martin’s), Imago Dei: Poems from Christianity and Literature (Abilene Christian University Press), Looking for God in All the Right Places (Loyola Press), and Summer: A Spiritual Biography of the Season and Spring: A Spiritual Biography of the Season (SkyLights Paths Publishers). Her books are: Radiance (Word Press, 2005), winner of the 2005 Word Press Poetry prize and Finalist for The Paterson Poetry Prize, 2006; Line Dance (Word Press, 2008), winner of the 2009 Paterson Poetry Prize for Literary Excellence; More (C&R Press, 2010); Gold (Cascade Press, a division of Wipf and Stock, in their Poeima Poetry Series, 2013); Small Rain (Purple Flag, a division of Virtual Artists Collective, 2014); Barbara Crooker: Selected Poems (FutureCycle Press, 2015); Les Fauves (C&R Press, 2017); The Book of Kells (Cascade Press, Poeima Poetry Series, 2018); and Some Glad Morning, forthcoming in the Pitt Poetry Series (University of Pittsburgh Poetry Press), fall 2019.

    Dana Gioia is an internationally recognized poet, critic, and former Poet Laureate of California. He is the author of five collections of verse, including Interrogations at Noon (2001), which won the American Book Award, and 99 Poems: New & Selected(2016), which was awarded the Poets’ Prize. His critical collections include Can Poetry Matter? (1992), which was a finalist for the National Book Critics Award, and The CatholicWriter Today and Other Essays (2019) whose title essay started an international debate about the role of faith in contemporary literature. Gioia has also written four opera libretti and edited over twenty anthologies. For six years he served as Chairman of the National Endowment for the Arts. Gioia has been awarded 11 honorary doctorates. He has also received the Laetare Medal from Notre Dame, Aiken-Taylor Award in Modern Poetry, and Presidential Citizens Medal. He is currently the Judge Widney Professor of Poetry and Public Culture at the University of Southern California.

    Catherine Hamilton, a Catholic freelance writer, member of Catholic Writers Guild, and Benedictine Oblate, has written articles for magazines and newspapers including The Polish American Journal, The Chicago Polish Daily and The Catholic Sentinel. She is author of Nine Days–Poems Remembering Pope John II (2015), a collection of fifty-one poems inspired by the poignant hours before and after the death of Karol Wojtyla. In the year 2000, Hamilton met Pope John Paul II in his private library while on pilgrimage. Five of Hamilton’s translated poems have been published in Poland by Zeszyty Karmelitanskie, a publication of the Carmelites in Poznan.

    Laura Reece Hogan is the author of the poetry chapbook O Garden-Dweller (Finishing Line Press, 2017), and I Live, No Longer I (Wipf & Stock, 2017), which explores the spirituality of Paul the Apostle. Both books received 2018 Catholic Press Association Book Awards. Laura’s poems can be found in or are forthcoming in America, The Christian Century, The Cresset, Anglican Theological Review, The Windhover, Penwood Review, PILGRIM: A Journal of Catholic Experience and other publications. Her poetry has been nominated for Best of the Net and the Pushcart Prize.

    A.M. Juster is the Poetry Editor of First Things magazine. His poetry, translations and essays have appeared in Poetry, The Paris Review, The Hudson Review,The New Criterion, Arion, North American Review, Rattle, Southwest Review, Barrow Street, Hopkins Review and many other publications.

    From associate professor of English to management trainer to retiree, Carolyn Martin has journeyed from New Jersey through California to Oregon to discover Douglas firs, months of rain, and dry summers. Her poems and book reviews have appeared in publications throughout North America and the UK, and her fourth collection, A Penchant for Masquerades, was released by Unsolicited Press in 2019. She is currently the poetry editor of Kosmos Quarterly: journal for global transformation. Find out more about Carolyn at www.carolynmartinpoet.com.

    Sr. Mary Grace Melcher, OCD, is a cloistered Carmelite nun at the Carmelite Monastery of Terre Haute, Indiana. She has been a member there since 1981. In addition to writing icons, she is also author of Intercessions for Mass. The book, inspired by her daily contemplation and meditation on the Scriptures, offers deeply meaningful prayers of the faithful for every day of the year. Please visit her monastery Website and gift shop.

    Alfred Nicol’s most recent collection of poetry, Animal Psalms, was published in 2016 by Able Muse Press. He has published two other collections, Elegy for Everyone(2009), and Winter Light, which received the 2004 Richard Wilbur Award. His poems have appeared in Poetry, The New England Review, Dark Horse, First Things, Commonweal, The Formalist, The Hopkins Review, Measureand many other literary journals and anthologies. Nicol’s poem “Addendum” was included in the 2018 edition of The Best American Poetry. Please visit his website at alfrednicol.com.

    James Reidel has published poems in many journals as well as Jim’s Book (Black Lawrence Press 2014) and My Window Seat for Arlena Twigg (Black Lawrence 2006). His most recent work appears in Poetry, Queen Mob’s Teahouse, Hawai’i Review, Outsider, Fiction Southwest, The Flexible Persona, and elsewhere—including The Best Small Fictions 2016. He is also the biographer of the poet Weldon Kees and a translator, whose latest books include Comedies by Robert Walser (2018, trans. with D. Pantano); The Collected Poems of Thomas Bernhard (2017); A Skeleton Play Violin(2017), book three of his Our Trakl series; and a new edition of The Forty Days of Musa Dagh by Franz Werfel to be published by Penguin in early 2018. In 2013, he was a James Merrill House fellow. He is currently writing a collection of prose poems.

    Sally Read is poet in residence at the Hermitage of the Three Holy Hierarchs. She is the author of three books of poetry (which she wrote before her conversion to Catholicism): The Day Hospital (2012), Broken Sleep (2009), and The Point of Splitting (2005), all published by Bloodaxe Books, and the story of her nine-month conversion from atheism to Catholicism, Night’s Bright Darkness, published by Ignatius Press. Her new book, Annunciation: a Call to Faith in a Broken World, will be published by Ignatius Press in Fall 2019.

    Sally Thomas is the author of two poetry chapbooks, Fallen Water (2015) and Richeldis of Walsingham (2016), both from Finishing Line Press. Her latest book, Motherland, was a finalist for the 2018 Able Muse Book Award, and is forthcoming from Able Muse Press in 2019.

    James Matthew Wilson is Associate Professor of Religion and Literature in the Department of Humanities and Augustinian Traditions at Villanova University. An award-winning scholar of philosophical-theology and literature, he has authored dozens of essays, articles, and reviews on all manner of subjects secular and divine, and especially on those where we see the two in their intrinsic relation, as truth, goodness, beauty, and being disclose themselves in art and culture, in the political and intellectual life, in our quest for self knowledge and the contemplation of God. His scholarly work especially focuses on the meeting of aesthetic and ontological form, where the craftsmanship of art-work discloses the truth about being. Wilson is a poet and critic of contemporary poetry, whose work appears regularly in such magazines and journals as First Things, The Hudson Review, Modern Age, The New Criterion, Dappled Things, Measure, The Weekly Standard, Front Porch Republic, The Raintown Review, National Review, and The American Conservative.

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